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Thursday, October 8, 2026
SuperDigest

Film Analysis: Band Frontman Jason Williamson Assumes Character in Sceptical Look at 90s Rave Culture

The work of Portishead co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it results in a comically executed chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film releases in British and Irish cinemas from November 17.

The writer

Timothy Kennedy

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and consumer electronics.

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